and at Blinn College, will you now or in the future require Blinn College to commence ("sponsor") an immigration case in order to employ you (for example, H-1B or other employment-based immigration case)? This is sometimes called "sponsorship" for an employment-based visa status. To be eligible for employment in the U.S. Yes, I am claiming veteran's employment preference.Yes, I am an orphan of a veteran who was killed while on active duty.Yes, I am a veteran's surviving spouse who has not remarried.If you answer yes to any below, please upload a copy of your DD214 or DD1300 in the optional documents section.įor definition of claiming veteran's employment preference please see the following website:) If in the previous question you selected "Advertisement", "Internet Site", or "Other", please specify how you heard about this employment opportunity. Internet Site (specify in next question below).Advertisement (specify in next question below).How did you hear about this employment opportunity? Please describe for us your performance experience, both in individual and collaborative settings and at Blinn College, would you need an H-1B visa or any visa sponsorship? If yes, please give details.Īre you available to work evening hours including Sundays? Which days and hours will you be available to work? It can be a short groovy rhythm or an uplifting melodic phrase.Required fields are indicated with an asterisk (*).Īre you legally eligible for employment in the U.S.? An instrumental hook in the accompaniment will make the melody more grounded and digestible. This is especially important if the melody contains many notes and a lot of movement. If the lead melody resolves the tension, use the accompaniment to open up a new question. Remember that the accompaniment is a balancing force in the music: if the lead melody poses a question, respond with the answer. There are usually breaths or spaces in the melody, which are great moments for the piano accompaniment to reprise a melodic refrain from earlier in the song or even directly repeat the most recent phrase, like a parrot. Mozart, Beethoven and Mahler would have done this, and you can too. So if you want a richer sound, then feel free to fill out the chords more and add octaves where appropriate. But it provides a beautiful moment of catharsis and sweetness when you use it well. Piano accompaniment parts are often orchestral reductions and are written to be readable. You don’t want to play this the whole time because it will make the piano sound more like a backing vocalist than an accompaniment. Play an exact harmony, for example, a third above the melody.This technique is very song-specific, so we can’t give you precise patterns, but here are a couple of tips: But there are small contrapuntal ideas that you can use to decorate your block or broken chord accompaniment pattern. In addition to a deep understanding of harmony and form, you need to have strong melodic instincts. This is a more complicated style of piano accompaniment. In the context of accompaniment, counterpoint means playing a piano part with a melody that weaves in and out of the singer or solo instrument’s lead melody. It is a technique common amongst classical composers, who arranged the music so that different instruments could have a musical conversation using their melodies. Here is an example of a four-chord voice-lead progression that would sound great in a block chords piano accompaniment:Ī counterpoint is when two or more moving melodies interact with one another. Inversions provide so many voice-leading options that you could play them all within one octave of the piano. This allows for good voice-leading, the art of playing a chord progression without moving your hand too much. This is when the notes of a chord are rearranged into a different order, and you can learn more about them with these 10 Piano Exercises for Beginners. If the song is funkier and up-tempo, the left hand should play a groovy bass line.įor block chords, it’s extra important to understand chord inversions. The rhythm of the left-hand part varies, but is often just one long, held note on the first beat of every bar. In the left hand, you can play the bass notes of the chords in octaves, with the fifth in the middle. If you want to spice it up a bit, you could use syncopation by placing some chords on the off beats. In 6/8, you could play one chord on each dotted quarter note with subtle embellishments. In 4/4, this might be one chord on every quarter note. ![]() This means playing basic triads (three-note chords) or seven chords (four notes) in the right hand to a simple and repetitive rhythmic pattern. The simplest way to play chords is in blocks. ![]() ![]() The lead singer or instrument usually only sings or plays single-line melodies, so it is up to the piano to provide all harmonic contexts. Chords are the foundation of all piano accompaniment.
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